{"id":1194,"date":"2016-06-17T20:12:49","date_gmt":"2016-06-17T18:12:49","guid":{"rendered":"http:\/\/stadtsprachen.de\/?post_type=eventkrake_event&#038;p=1194"},"modified":"2020-12-08T15:17:01","modified_gmt":"2020-12-08T14:17:01","slug":"sound-and-cerement","status":"publish","type":"eventkrake_event","link":"https:\/\/stadtsprachen.de\/de\/event\/sound-and-cerement\/","title":{"rendered":"sound and cerement\/\/technologies of de-cay"},"content":{"rendered":"<p dir=\"ltr\"><em>\u201ccultivate a flavour that\/grows from within\/for the sake of our own\/starvation&#8220; \u2013 Marie Pascale Hardy<\/em><\/p>\n<p dir=\"ltr\"><em>\u201cSo it is better to speak remembering we were never meant to survive&#8220; \u2013 Audre Lorde, The Black Unicorn<\/em><\/p>\n<p dir=\"ltr\"><em>\u201cThat the impossible should be asked of me, good, what else could be asked of me\u201d \u2013 Samuel Beckett, Unnamable<\/em><\/p>\n<p dir=\"ltr\">Diese Austellung pr\u00e4sentiert Unm\u00f6gliches: eine Gruppe Dichter, die zusammen mit audio-visuellem Material arbeiten, um innerhalb einer Woche eine Austellung zu produzieren und zu kuratieren.<\/p>\n<p dir=\"ltr\"><span id=\"gmail-docs-internal-guid-073d8ce7-903e-7c4d-ccc5-cdc264335ef6\">Indem die Hand des Dichters aus\u00a0der Einsamkeit seines Handwerks in den Raum der Klangproduktion gebracht wird, versucht dieses Projekt, die Grenzen zwischen visuellen und akustischen Texten zu verwischen. Das Projekt fungiert als\u00a0Schnittstelle zwischen den beiden Disziplinen, sodass sie neu ermessen und umfunktioniert werden k\u00f6nnen. W\u00e4hrend des ganzt\u00e4gigen Workshops <em>the &#8222;as if&#8220; of poetry and other discourses on technology<\/em> lernten die Dichter\u00a0Aufnahmetechniken, wie man\u00a0rudiment\u00e4re Klang-\/Licht-Instrumente baut und dachten dar\u00fcber nach, wie diese benutzt werden k\u00f6nnten, in den Charakter ihrer Texte einzugreifen. Gemeinsam mit den Dichtern performten die Klangk\u00fcnstler alternative Schreibpraxen und Techniken, die den Klang des Wortes, die Rolle der Erinnerungen, und die eigene Beziehung zum Raum aufnehmen, um Texte zu schreiben und zu \u00fcbersetzen.<\/span><\/p>\n<p dir=\"ltr\">Diese unm\u00f6gliche Austellung wird all das Material, welches\u00a0dem Workshop entsprang, pr\u00e4sentieren.<\/p>\n<p dir=\"ltr\">__________________________________________<\/p>\n<p dir=\"ltr\">Ein Projekt des\u00a0SAND Journal und\u00a0The Reader Berlin, zusammen mit\u00a0Africavenir und SAVVY Contemporary<\/p>\n<p dir=\"ltr\">Marie-Pascale Hardy\/\/Alan Mills\/\/Jane Flett\/\/Sarnath Banerjee\/\/G\u00f6ksu Kunak\/\/Klaas von Karlos\/\/Kenny Fries\/\/John K. Peck\/\/MoreBlackThenGod<\/p>\n<p dir=\"ltr\">Kuratiert von\u00a0Valentina Ramona de Jes\u00fas<\/p>\n<p>Eintritt frei<\/p>\n<hr \/>\n<p>Ein besonderer Dank gilt Nathaniel Mackey, amerikanischer Dichter, Romanautor, Anthologist, Literaturkritiker und Lektor. Seit 1982 ist er der Redakteur und Herausgeber von\u00a0<em>Hambone<\/em> und gewann 2006 den\u00a0<em>National Book Award for Poetry<\/em>. 2014 wurde er mit dem\u00a0<em>Ruth Lilly Poetry Prize <\/em>ausgezeichnet, 2015 gewann er den\u00a0<em>Yale&#8217;s Bollingen Prize for American Poetry<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201ccultivate a flavour that\/grows from within\/for the sake of our own\/starvation&#8220; \u2013 Marie Pascale Hardy \u201cSo it is better to speak remembering we were never meant to survive&#8220; \u2013 Audre Lorde, The Black Unicorn \u201cThat the impossible should be asked of me, good, what else could be asked of me\u201d \u2013 Samuel Beckett, Unnamable Diese [&hellip;]<\/p>\n","protected":false},"featured_media":2554,"template":"","categories":[],"class_list":["post-1194","eventkrake_event","type-eventkrake_event","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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