{"id":19416,"date":"2023-01-18T12:35:29","date_gmt":"2023-01-18T11:35:29","guid":{"rendered":"https:\/\/stadtsprachen.de\/de\/?post_type=stsp_text&p=19416"},"modified":"2023-01-19T11:51:20","modified_gmt":"2023-01-19T10:51:20","slug":"tuerk-edebiyatinda-berlin-duen-ve-buguen","status":"publish","type":"stsp_text","link":"https:\/\/stadtsprachen.de\/de\/text\/tuerk-edebiyatinda-berlin-duen-ve-buguen\/","title":{"rendered":"T\u00fcrk Edebiyat\u0131nda Berlin \u2013 d\u00fcn ve bug\u00fcn"},"content":{"rendered":"

(Spree ve Bo\u011fazi\u00e7i Aras\u0131nda – T\u00fcrk Edebiyat\u0131nda Berlin konulu a\u00e7\u0131l\u0131\u015f konu\u015fmas\u0131<\/a>)<\/p>\n

Bug\u00fcn 87 ya\u015f\u0131nda olan yazar F\u00fcruzan\u2019\u0131n hayat\u0131nda bir Almanya d\u00f6nemi var. 1975 y\u0131l\u0131n\u0131n Bat\u0131 Berlin’e gidiyor ve tam bir y\u0131l kal\u0131yor. Bu s\u00fcre\u00e7te Almanya\u2019n\u0131n farkl\u0131 \u015fehirlerinde, \u00f6zellikle de Ruhr havzas\u0131ndaki madenlerde \u00e7al\u0131\u015fan T\u00fcrk i\u015f\u00e7ilerle r\u00f6portajlar yap\u0131yor ve bu r\u00f6portajlar\u0131n\u0131 Yeni Konuklar adl\u0131 kitab\u0131nda topluyor (1977). Almancaya Logis im Land der Reichen olarak \u00e7evrilen bu kitaptaki \u2018Berlin\u2019in Bat\u0131s\u0131 isimli panoraman\u0131n mutlaka okunmas\u0131 gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcyorum.
\nF\u00fcruzan ayr\u0131ca T\u00fcrkiye \u00c7ocuklar\u0131 (1979) adl\u0131 \u00e7ocuk kitab\u0131n\u0131, Ev Sahipleri (1981) ve Dokuz \u00c7a\u011fda\u015f T\u00fcrk \u00d6yk\u00fcc\u00fcs\u00fc (1982) adl\u0131 antolojisini de Berlin’de haz\u0131rl\u0131yor. 1988’de yay\u0131mlanan roman\u0131 Berlin’in Nar \u00c7i\u00e7e\u011fi [Granatapfelbl\u00fcte von Berlin] ise Do\u011fu Bloku ile Bat\u0131 D\u00fcnyas\u0131n\u0131 ay\u0131ran duvar\u0131n y\u0131k\u0131lmas\u0131ndan \u00f6nceki Bat\u0131 Berlin\u2019de ge\u00e7iyor, ancak maalesef bu kitap Almancaya \u00e7evrilmi\u015f de\u011fil: \u201cBerlin\u2019in bir ucundan bak\u0131ld\u0131\u011f\u0131nda ovan\u0131n \u00f6teki ucuna dek ula\u015fabilirdi insan\u0131n g\u00f6r\u00fc\u015f alan\u0131. Bu da ki\u015fiye b\u00fcy\u00fck bir yaln\u0131zl\u0131k, g\u00fcvensizlik duygusu veriyordu.\u201d
\nBerlin, farkl\u0131 \u00fclkelerin yazarlar\u0131 i\u00e7in bir \u00e7ekim alan\u0131. Bir b\u00fcy\u00fck \u015fehir olarak i\u00e7inde ya\u015famak, yazmak i\u00e7in ve bir duygu olarak da sevmek ve ilham almak i\u00e7in.
\nT\u00fcrk\u00e7e edebiyatta da Berlin 19. y\u00fczy\u0131ldan beri kendine yer buluyor ve s\u00fcrekli de\u011fi\u015fen
\ny\u00fcz\u00fcyle, bazen t\u00fcm \u0131\u015f\u0131lt\u0131s\u0131yla, t\u00fcm renklili\u011fi ve \u00e7e\u015fitlili\u011fiyle, bazense -soyut ve somut anlamda- t\u00fcm grili\u011fi ve kasvetiyle..<\/p>\n

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\u0130lk Osmanl\u0131 b\u00fcy\u00fckel\u00e7isi Ahmet Resmi Efendi\u2019nin Sefaretname\u2019si (1764) (Gesandtschaftsbericht) \u015fehrin T\u00fcrk\u00e7e edebiyat\u0131ndaki ilk belgesidir, ki bug\u00fcn aram\u0131zda bulunan sevgili yazar\/\u015fair G\u00fcltekin Emre\u2019nin T\u00fcrk Edebiyat\u0131nda Berlin antolojisi de Sefaretname\u2019nin \u2018Berlin\u2019in \u00d6zellikleri\u2019 b\u00f6l\u00fcm\u00fcnden bir al\u0131nt\u0131yla ba\u015flar: \u201cAd\u0131 ge\u00e7en bu \u015fehir, bu s\u0131rada Brandenburg kral\u0131n\u0131n ba\u015fkenti oldu\u011fundan o \u00e7evrede benzerinin bulunmamas\u0131yla \u00fcn salm\u0131\u015ft\u0131r.\u201d
\nGe\u00e7 Osmanl\u0131-Tanzimat D\u00f6nemi\u2019nin en \u00fcnl\u00fc yazar\u0131, T\u00fcrk roman\u0131n\u0131n \u00f6nc\u00fclerinden Ahmet Mithat Efendi 1889 tarihli Avrupa\u2019da Bir Cevelan kitab\u0131nda Paris ile Berlin\u2019i kar\u015f\u0131la\u015ft\u0131r\u0131rken, T\u00fcrk milli mar\u015f\u0131, yani \u0130stiklal Mar\u015f\u0131\u2019n\u0131n \u015fairi olan Mehmet Akif Ersoy\u2019un da \u2018Berlin Hat\u0131ralar\u0131\u2019 isimli uzun bir \u015fiiri vard\u0131r.
\nSon y\u0131llarda yeniden ke\u015ffedilen kad\u0131n yazar Suat Dervi\u015f\u2019in yakla\u015f\u0131k \u00fc\u00e7 y\u0131ll\u0131k bir Berlin d\u00f6nemi var. \u201c1930 senesinin hangi ay\u0131 idi bilmiyorum, fakat serince bir g\u00fcn\u2026 \u00dcst\u00fcmde y\u00fcnl\u00fc bir manto var. Ellerim mantomun cebinde, ba\u015f\u0131m\u0131n kenarl\u0131 \u015fapkas\u0131n\u0131 sa\u011f g\u00f6z\u00fcm\u00fcn \u00fczerine indirmi\u015fim. Anhalter Bahnhof\u2019un geni\u015f ta\u015f merdivenlerinden a\u015fa\u011f\u0131ya iniyorum. Cebimde seksen mark\u0131m var. \u0130stanbul\u2019da satt\u0131\u011f\u0131m son roman\u0131mdan kalan son param. Fakat valizlerim Almancaya terc\u00fcme ettirdi\u011fim hik\u00e2yelerimle dolu! Berlin\u2019e geliyorum. \u00c7al\u0131\u015fmak i\u00e7in…\u201d
\nAlmanya’da bulundu\u011fu s\u00fcre boyunca tefrika edilmi\u015f bir roman, kitap tan\u0131t\u0131m yaz\u0131lar\u0131 ve \u00e7e\u015fitli r\u00f6portajlar haz\u0131rlayarak hayat\u0131n\u0131 teliflerle devam ettiriyor. Bu s\u0131rada bir\u00e7ok gazeteden kendisiyle r\u00f6portaj yapmaya geliyorlar, \u00e7\u00fcnk\u00fc T\u00fcrk bir kad\u0131n yazar\u0131n Almanya\u2019da ba\u015far\u0131l\u0131 olmas\u0131 b\u00fcy\u00fck ilgi \u00e7ekiyor. Eyl\u00fcl 1931\u2019de Berlin\u2019de yay\u0131mlanan UHU dergisindeki \u2018Erkekler e\u011fitilebilir mi?\u2019 (Sind M\u00e4nner erziehbar?) makalesi olduk\u00e7a ilgin\u00e7 mesela. Suat Dervi\u015f\u2019in Bu Ba\u015f\u0131 Ne Yapal\u0131m isimli roman\u0131 da Berlin\u2019de ge\u00e7iyor. Bu bir polisiye ve iki kad\u0131n\u0131n s\u00fcr\u00fckleyici maceras\u0131n\u0131 anlat\u0131yor.
\nHeine\u2019den Rilke\u2019ye, Zweig\u2019dan K\u00e4stner\u2019e Almancadan T\u00fcrk\u00e7eye yapt\u0131\u011f\u0131 edebi \u00e7evirilerle de tan\u0131nan ama asl\u0131nda usta bir \u015fair olan Beh\u00e7et Necatigil 1937 tarihli bir mektubunda Almanya gezisini ve Berlin\u2019i anlat\u0131r. Ama o s\u0131ralarda yorgun, paras\u0131z ve keyifsizdir: \u201cBurada m\u00fcthi\u015f can\u0131m s\u0131k\u0131l\u0131yor. \u015eimdi bulundu\u011fum talebe yurdu gayet sapa bir muhitte ve etraf\u0131nda m\u00fcthi\u015f s\u00fck\u00fbt. Bug\u00fcn Almanca kursunun ilk dersine gittik. Olduk\u00e7a iyi. Hen\u00fcz Berlin\u2019i gezemedik. Ama hi\u00e7 yad\u0131rgamad\u0131m. Sanki \u00f6teden beri tan\u0131yormu\u015fum gibi.\u201d<\/p>\n

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T\u00fcrk edebiyat\u0131nda Berlin\u2019de ge\u00e7en romanlar aras\u0131nda en \u00fcnl\u00fcs\u00fc, Almancaya da \u00e7evrilmi\u015f bulunan, 1943 tarihli K\u00fcrk Mantolu Madonna\u2019d\u0131r (Die Madonna im Pelzmantel). Sabahattin Ali\u2019nin bu \u00e7ok sevilen roman\u0131, 1920\u2019ler Berlin\u2019ini ve o d\u00f6nemden bir Alman kad\u0131n ressam olan Maria Puder\u2019i al\u0131r oda\u011f\u0131na: \u201cBurada KaDeWe dedikleri b\u00fcy\u00fck bir ma\u011fazan\u0131n \u00f6n\u00fcndeki kald\u0131r\u0131mlarda, ayaklar\u0131na k\u0131rm\u0131z\u0131 \u00e7izmeler giyip kad\u0131nlar gibi y\u00fczlerini boyayarak dola\u015fan birtak\u0131m delikanl\u0131lar, gelip ge\u00e7enlere davet eden g\u00f6zlerle bak\u0131yorlard\u0131. Oralara yak\u0131n bulunan Nollendorfplatz\u2019\u0131n yolunu tuttum.\u201d<\/p>\n

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En \u00fcnl\u00fc T\u00fcrk \u015fairi, \u2018romantik kom\u00fcnist\u2019 Naz\u0131m Hikmet\u2019in de yolu Berlin\u2019den ge\u00e7iyor elbette. 1963\u2019teki \u00f6l\u00fcm\u00fcnden iki ay \u00f6nce yazd\u0131\u011f\u0131 \u2018Berlin Mektubu\u2019 isimli bir \u015fiirini de anmak isterim burada:<\/p>\n

\u201cBe\u015f saat sonra yan\u0131nday\u0131m.<\/em>
\nBerlin\u2019de otel odamda g\u00fcne\u015f,<\/em>
\n\u0131slak ku\u015f sesleri<\/em>
\n-ya\u011fmur ya\u011fd\u0131 sabahleyinbir de tramvaylar,<\/em>
\nbir de zaman.\u201d<\/em><\/p>\n

Anmak istedi\u011fim \u00f6nemli bir kitap da Aras \u00d6ren\u2019in Berlin \u00dc\u00e7lemesi (1973-1980). Bug\u00fcn 83 ya\u015f\u0131nda Berlin\u2019de hayat\u0131n\u0131 s\u00fcrd\u00fcren yazar\u0131n, iki y\u0131l \u00f6nce yeniden bask\u0131s\u0131 yap\u0131lan kitab\u0131, T\u00fcrk i\u015f\u00e7i g\u00f6\u00e7\u00fc ba\u011flam\u0131nda da \u00f6nemli bir yerde duruyor. Bu dizeler Was will Niyazi in der Naunynstra\u00dfe<\/em> isimli kitab\u0131ndan:<\/p>\n

\u201cEs schneit in Berlin.<\/em>
\nDie Temperatur ist 3 Grad unter Null.<\/em>
\nDie Naunynstra\u00dfe ist zugefroren.<\/em>
\nIhre H\u00e4user sind fertig zum Aufwachen.<\/em>
\n(\u2026)<\/em>
\nAls Frau Kutzer aufwacht,<\/em>
\nkommt Niyazi G\u00fcm\u00fc\u015fk\u0131l\u0131\u00e7 von der Nachtschicht.<\/em>
\nUnd die Naunynstra\u00dfe,<\/em>
\nverschlafen, tr\u00e4ge, baumlos nackt \u2013<\/em>
\nIst wie die auf dem Dachboden verstaubte<\/em>
\nAussteuer eines M\u00e4dchens,<\/em>
\ndas gestorben ist,<\/em>
\nbevor es Braut wurde.\u201d<\/em><\/p>\n

Tezer \u00d6zl\u00fc ise g\u00fcnl\u00fc\u011f\u00fcnde, neredeyse tam 40 y\u0131l \u00f6nce \u015f\u00f6yle yazm\u0131\u015f: \u201cBerlin, 6 Kas\u0131m 1982. Ben Anadolu\u2019dan Grunewald\u2019e kadar gelmek zorundaym\u0131\u015f\u0131m me\u011fer, sessizli\u011fi alg\u0131lamak i\u00e7in. Aya\u011f\u0131m\u0131n alt\u0131nda h\u0131\u015f\u0131rdayan yaprak seslerini duyabilmek i\u00e7in. Bu sabah erkenden kalk\u0131p Grunewald\u2019e ko\u015ftum. \u0130\u00e7imde Goethe\u2019nin \u015fiirlerini duyuyordum, \u00e7ocukken ezberlemek zorunda kald\u0131\u011f\u0131m.\u201d Bir ba\u015fka kad\u0131n yazar Tomris Uyar da \u2018Alte Liebe\u2019 isimli \u00f6yk\u00fcs\u00fcnde Tezer \u00d6zl\u00fc\u2019n\u00fcn \u2018Eski Sevgi\u2019deki Berlin meyhanesini konu eder. (1989)<\/p>\n

Burada Yade Kara, Feridun Zaimo\u011flu, Fatma Aydemir, (yine bug\u00fcn bizimle olan) Deniz Utlu, Zafer \u015eenocak ve tabii Emine Sevgi \u00d6zdamar gibi T\u00fcrk k\u00f6kenli, Almanca yazan edebiyat\u00e7\u0131lar\u0131n da Berlin\u2019i yazd\u0131klar\u0131na katt\u0131klar\u0131n\u0131 biliyoruz. Bu liste uzar gider.<\/p>\n

Berlin\u2019i merkezine ya da arka plan\u0131na alan en yeni romanlar olarak Ahmet \u00dcmit\u2019in polisiye, arkeoloji ve mitolojiyi kayna\u015ft\u0131rd\u0131\u011f\u0131 Kay\u0131p Tanr\u0131lar \u00dclkesi\u2019ni (2021) ve son olarak da hen\u00fcz ge\u00e7en ay okuruna kavu\u015fan Menek\u015fe Toprak\u2019\u0131n Deja-Vu isimli roman\u0131n\u0131 (2022) anmak istiyorum. Bu roman, i\u015finden \u00e7\u0131kar\u0131lm\u0131\u015f bir akademisyen Berlin sokaklar\u0131nda Suat Dervi\u015f’in y\u0131llar \u00f6nce ge\u00e7ti\u011fi ayak izlerini takip ediyor. T\u00fcrk Edebiyat\u0131nda Berlin\u2019in bu kadar \u00e7ok bulmas\u0131, g\u00fczel \u015fehrimize duyulan ilgiyi g\u00f6steriyor. Berlin\u2019in yan\u0131nda T\u00fcrk Edebiyat\u0131nda Paris ya da T\u00fcrk Edebiyat\u0131nda Londra ba\u015fl\u0131kl\u0131 antolojiler de var, \u00e7\u00fcnk\u00fc t\u00fcm bu \u015fehirler herkese ilham verebilecek potansiyele sahipler. Ama Berlin yaln\u0131zca T\u00fcrk edebiyat\u0131n\u0131n de\u011fil, d\u00fcnya edebiyat\u0131n\u0131n da g\u00f6zbebe\u011fi. Ve bu g\u00f6z hep \u201ctuhaf y\u0131ld\u0131zlar (gibi) d\u00fcnyaya bak\u0131yor.\u201d<\/p>\n

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PARATAXE Symposium XI LiteraT\u00fcrk<\/em>
\n04.11. 2022 \u00a9 Parataxe\/stadtsprachen magazin<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

(Spree ve Bo\u011fazi\u00e7i Aras\u0131nda – T\u00fcrk Edebiyat\u0131nda Berlin konulu a\u00e7\u0131l\u0131\u015f konu\u015fmas\u0131) Bug\u00fcn 87 ya\u015f\u0131nda olan yazar F\u00fcruzan\u2019\u0131n hayat\u0131nda bir Almanya d\u00f6nemi var. 1975 y\u0131l\u0131n\u0131n Bat\u0131 Berlin’e gidiyor ve tam bir y\u0131l kal\u0131yor. Bu s\u00fcre\u00e7te Almanya\u2019n\u0131n farkl\u0131 \u015fehirlerinde, \u00f6zellikle de Ruhr havzas\u0131ndaki madenlerde \u00e7al\u0131\u015fan T\u00fcrk i\u015f\u00e7ilerle r\u00f6portajlar yap\u0131yor ve bu r\u00f6portajlar\u0131n\u0131 Yeni Konuklar adl\u0131 kitab\u0131nda topluyor […]<\/p>\n","protected":false},"featured_media":19313,"template":"","categories":[52,12],"class_list":["post-19416","stsp_text","type-stsp_text","status-publish","has-post-thumbnail","hentry","category-issue-24","category-non-fiction"],"yoast_head":"\nT\u00fcrk Edebiyat\u0131nda Berlin \u2013 d\u00fcn ve bug\u00fcn - stadtsprachen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/stadtsprachen.de\/de\/text\/tuerk-edebiyatinda-berlin-duen-ve-buguen\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:locale:alternate\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"T\u00fcrk Edebiyat\u0131nda Berlin \u2013 d\u00fcn ve bug\u00fcn - stadtsprachen\" \/>\n<meta property=\"og:description\" content=\"(Spree ve Bo\u011fazi\u00e7i Aras\u0131nda – T\u00fcrk Edebiyat\u0131nda Berlin konulu a\u00e7\u0131l\u0131\u015f konu\u015fmas\u0131) Bug\u00fcn 87 ya\u015f\u0131nda olan yazar F\u00fcruzan\u2019\u0131n hayat\u0131nda bir Almanya d\u00f6nemi var. 1975 y\u0131l\u0131n\u0131n Bat\u0131 Berlin’e gidiyor ve tam bir y\u0131l kal\u0131yor. Bu s\u00fcre\u00e7te Almanya\u2019n\u0131n farkl\u0131 \u015fehirlerinde, \u00f6zellikle de Ruhr havzas\u0131ndaki madenlerde \u00e7al\u0131\u015fan T\u00fcrk i\u015f\u00e7ilerle r\u00f6portajlar yap\u0131yor ve bu r\u00f6portajlar\u0131n\u0131 Yeni Konuklar adl\u0131 kitab\u0131nda topluyor […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/stadtsprachen.de\/de\/text\/tuerk-edebiyatinda-berlin-duen-ve-buguen\/\" \/>\n<meta property=\"og:site_name\" content=\"stadtsprachen\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Stadtsprachen\" \/>\n<meta property=\"article:modified_time\" content=\"2023-01-19T10:51:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/01\/sm24_17.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@stadtsprachen\" \/>\n<meta name=\"twitter:label1\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data1\" content=\"6\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/text\\\/tuerk-edebiyatinda-berlin-duen-ve-buguen\\\/\",\"url\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/text\\\/tuerk-edebiyatinda-berlin-duen-ve-buguen\\\/\",\"name\":\"T\u00fcrk Edebiyat\u0131nda Berlin \u2013 d\u00fcn ve bug\u00fcn - 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