{"id":24057,"date":"2025-07-01T13:40:00","date_gmt":"2025-07-01T11:40:00","guid":{"rendered":"https:\/\/stadtsprachen.de\/de\/?post_type=stsp_text&#038;p=24057"},"modified":"2025-07-03T11:30:22","modified_gmt":"2025-07-03T09:30:22","slug":"home-away-2","status":"publish","type":"stsp_text","link":"https:\/\/stadtsprachen.de\/de\/text\/home-away-2\/","title":{"rendered":"HOME &amp; AWAY."},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Berlin Writing between Austalgia and Expatriotism.<\/strong> <strong>Keynote <a href=\"https:\/\/stadtsprachen.de\/en\/event\/parataxe-symposium-xvi-1af2d57b\/\">Parataxe XVI<\/a>.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Let me begin by reading you a tweet by a DJ.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>kid in berlin, 2040: im the child of immigrants, we were very poor. in 2013 my parents left their home country of melbourne in search of more authentic parties and cheaper k. they never learned the language and spent 30 years working in cafes. i someday hope to be a doctor.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When I set about reflecting on the relationship between Antipodean writers and Berlin, this tweet kept drifting into my head. For one thing, it\u2019s pretty funny. But it also seems to hint at so many of the elements central to the Berlin Down Under experience: our cringing self-irony, our insecure monolingualism, our hunger for authentic experiences, and our rightful sense that we don\u2019t quite fit into established narratives about migration or exchange. There is that ever-present anxiety, too, about how long we are all really planning to stay here. Frequently one wonders if one is an expat or a migrant, a Peter-Pan party tourist or a creative exile forced out of unaffordable culture-hating cities back home. That 2040 child is the ghost at our feast: the putting down of roots that we just can\u2019t quite imagine doing. And the same uncertainty applies to our literary offspring. Is it a tourist literature, a migrant literature, an exile and exclave literature? Or is it an Australian or Aotearoa\/New Zealand literature that just so happens to be typed up elsewhere?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Australian and Aotearoa\/New Zealand writing community of Berlin is not particularly close-knit. Some of us know some of us; many of us know none of us. We have German friends and English friends and American friends and Indian friends. We are diverse and dispersed. Not only do we resist being understood within national tradition in the normal ways\u2014\u201c\u2018plonked into a tribe without your consent,\u201d as the Vietnamese-Australian poet Nam Le puts it\u2014but we are also writers who have chosen, for various reasons, to turn away from the centers of cultural canonization back home. People are often surprised about where we come from, having taken us for more regularly occurring anglophone elements. This might have to do with their stereotyped mental image of our homelands: beaches, white surfers, The Lord of the Rings. Once I interviewed an older Czech-German author, an experimental poet turned novelist with unsettlingly lively eyes, and he asked me woher in Amerika I come from. I countered that I was Australian. He lit up. MAD MAX!, he shouted, MAD MAX! I lifted an eyebrow. I thought you were an Ami, he explained, breathless, but you are actually a MAD MAX from the the MAD MAX LAND!! He was stunned to discover I had not seen the film.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If anything unites Antipodean authors\u2019 relation to Berlin, it is the fact that we are very, very far from home. This is literally the other side of the world. Hence the word Antipodes\u2014although, for people who born and raised Down Under countries, it is surreal to grow up referring to our region in terms of it being the opposite of some totally other place. Remoteness is the sheerest fact of Antipodean Berlin. It is also something that marks us out from the Irish and English, who can board a 40\u20ac budget flight spontaneously, and from the Americans, whose flights home are longer and pricier but who are easily able to inhabit the US internet, the US literary world, and the US global monoculture while being based in Berlin: in 2025, nobody ever really leaves the American sector. For Antipodeans, by contrast, Berlin is a place both distant and unstoried\u2014unstoried, that is, by us. If you move to London or New York, you are riding the natural flow of ambitious young people to the metropolis; you are also following the footsteps of Clive James, Christina Stead, or Katharine Mansfield. Living in Berlin, though, has little by way of an established literary pathway. There was Elizabeth von Arnim, long ago; Nick Cave wrote And The Ass Saw the Angel here. Yet the most prominent icon of Antipodean-Berlin literary interchange is probably that eponymous feral creature from the K\u00e4nguru- Chroniken. To older folks back home, the move to Berlin seems sort of random. When we are quizzed as to ask why we came, we often answer with something like: oh, yeah, you know, no real reason.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Of course: there are always reasons. Berlin is queer-friendly. Its multilingualness is more intentional, more integral, than that of our homelands. The rent is\u2014was\u2014cheap, the public transport good, the lifestyle urban and European in a way that suburban sprawling Antipodean cities can\u2019t quite match. (The KSK, the Stipendium f\u00fcr nichtdeutsche Literatur, and all the independent bookstores seem as exotic and unbelievable to me as emus and kiwis birds to people here.) Some people\u2014a minority\u2014come because they love German or Germans. And some seem drawn to Berlin\u2019s history, the traces and caesurae of which are worn more proudly than what we have back home. To settlers, at least, the New World can seem ahistorical; Berlin, by contrast, feels historically overburdened\u2014a city of ruins, dreams, nightmares, possibility. A.L. McCann\u2019s novel Subtopia from 2005 is driven by the contrast between Berlin\u2019s thrilling ruination and the end-of-history drift of shallow, unchanging Australian suburbia. Its protagonist Julian and his wild friend Martin leave their boring suburb to participate in gritty, radical Kreuzberg\u2014yet Julian discovers his life here was an empty fantasy, its radical politics a mirage. And so he returns melancholically Julian to Australia, settles down to a house in Melbourne, gets married. Berlin might be wild, but real life means subur- ban normality. The same arc applies to Anna Funder\u2019s Stasiland, a more or less nonfictional travelogue about the GDR\u2019s atrocities. Funder explicitly styles it after \u201cAlice in Wonderland\u201d. Her researching narrator is constantly disbelieving about how after East Germany was (and is). She encounters a evil Queen of Hearts, describes a world of inconceivable evil, conde- scends East German\u2019s post-Wall lives as being \u201ccuriouser and curiouser\u201d. Then she shoots back through the looking glass to her innocent reality back home, an \u201cuntainted\u201d corner of the world that apparently has no unethical border regime and no policing scandals and no colonial past worth writing about. After all, the really bad stuff happens here, in the dark heart of Europe.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Antipodean literature has long had to handle its relationship to the Old World, which culturally dominated those settler colonies long after independence. When last century\u2019s authors staged their encounters with the continent, they shaped Aussie and Kiwi identity in (partial) revolt against the staid cultural authorities of London, Oxbridge, and Paris. This century, though, they are also writing about Berlin, a city with a radically different cultural cadence. The foremost genre here is the expat novel\u2014or some variation on the theme. A young person comes to the city and feels past-haunted, freedom-excited, or both before realizing that their real life is back home, and that the baggage they brought with them is what they really have to unpack. Most interesting of these, perhaps, is A Guide to Berlin by Gail Jones. This novel features a lost young literary woman from Australia, Cass, who falls in with a group of international Nabokov fans. The group meets up in empty apartments for Speak, Memory-inspired storytelling sessions. They each tell stories related to their homelands\u2019 national traumas: Auschwitz, Bologna, Hikikomori. When Cass\u2019s turn comes, however, she flubs her lines and runs off. She is unable or unwilling to claim a place in the anthology. By the end, it becomes clear that this is not a novel of solipsistic Australian Ruinenlust, but a novel about it. Berlin itself appears as real; what vanishes into smoke is the needy pose of the expat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Berlin visitation literature, then, seems to turn on the collision of bored, innocent far-off Antipodeans and the city of Berlin\u2014a place that still somehow entertains radical dreams, but at the price of a crushing historical weight, perhaps a dizzying sense of nihilistic solipsism too. But what of those of us who stay, at least indefinitely? Some cross the language barrier; others do not. Our panelists today have founded magazines, taught workshops, translated great German literature, and written historical fiction and nonfiction about Berlin\u2019s multivalent past. One, the brilliant autodidact James Conway, has surfed his fascination for the bohemians of Imperial Germany into running the cult blog Strange Flowers, translating and publish- ing lesser-known works for the indie press Rixdorf Editions, and now writing a book of historical travelogue.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Even for those Antipodeans who aren\u2019t primarily engaging with Berlin per se, the city\u2019s traces show up everywhere. It is surely no coincidence that echos, distances, birds, and radio trans- missions can be traced throughout Downunderers\u2019 literature. Chunks of Deutsch and Denglisch show up as trace elements in almost everybody\u2019s poems. How many Antipodean authors have casually picked up a local book or another, a local influence or another, and carried it slyly with them into their work? And who knows how many books have been been enabled by Berlin\u2019s cheaper rent, its more permissive social mores, and its distance from the various peer pressures of home?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 2012, a cluster of public institutions put on a remarkable literary exchange. Three poets from Germany were flown to Aoteoroa\/New Zealand to experience the Transit of Venus with three local poets; all of them wrote about it, then they met in Berlin to translate one another. The Transit of Venus is important to the Maori; Captain Cook\u2019s 1769 voyage was officially made in order to observe it from Tahiti. It is both an icon of global learning and an omen for European colonial atrocities. A poem contributed by Uwe Kolbe began like this:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Aus einem arroganten Land komme ich, da wei\u00df ich die Namen, habe sie selbst im \u00dcberschwang reichlich verteilt,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>ob eines es wollte, ob nicht\u2026<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But then that arrogant country sinks under the horizon\u2014it is suddenly not to be seen, and the German poet-speaker finds himself unworded: \u201d<em>Nun zieht die Sonne namenlos droben \/ und spurlos die Frau ohne Mund vorbei<\/em>.\u201d Years later Hinemoana Baker, one of the poets involved, moved to Berlin. In her collection Funkhaus, she writes: \u201cYour Berlin sends roots \/ down through its dead. \/ Its building and its total recall shake with trains. \/ Words are gold bricks of lights in the season.\u201d Throughout Berlin\u2019s Down Under literature, both Europe and the New World find themselves transformed. The encounter with the other\u2014with the Antipode\u2014can rearrange us, inside and out. Farflung as we are, we offer an alienation effect to the city, and it offers us one back, the alienation of ourselves as well as our opposite, no less arrogant homelands.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Last time I visited my family in Australia, it took me a while to readjust. The money was strange and the accents were strange. I simply could not believe the sun, or the birds. I kept wanting to say: \u201cgenau!\u201d My at-home-ness was there within me but buried under a thin layer of topsoil. Or else it had been hybridized, two plants forced together on one stem, now unrecognizable each way. There is no real reason for Antipodeans to be here, and no real reason for the Germans to take an interest in us. But sometimes it is the unreal that generates the conditions fit for literature.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Alexander Wells, Berlin <\/em><\/strong><strong><em>for PARATAXE \u00a9 2025<\/em><\/strong><strong><em><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Berlin Writing between Austalgia and Expatriotism. Keynote Parataxe XVI. Let me begin by reading you a tweet by a DJ. kid in berlin, 2040: im the child of immigrants, we were very poor. in 2013 my parents left their home country of melbourne in search of more authentic parties and cheaper k. they never learned [&hellip;]<\/p>\n","protected":false},"featured_media":24023,"template":"","categories":[63,12],"class_list":["post-24057","stsp_text","type-stsp_text","status-publish","has-post-thumbnail","hentry","category-issue-32","category-non-fiction"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>HOME &amp; AWAY. - stadtsprachen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/stadtsprachen.de\/en\/text\/home-away-2\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:locale:alternate\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HOME &amp; AWAY. - stadtsprachen\" \/>\n<meta property=\"og:description\" content=\"Berlin Writing between Austalgia and Expatriotism. 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