{"version":"1.0","provider_name":"stadtsprachen","provider_url":"https:\/\/stadtsprachen.de\/en","author_name":"Joey Bahlsen","author_url":"https:\/\/stadtsprachen.de\/en\/author\/joey\/","title":"Cin\u00e9ma de l\u2019H\u00f4tel \/\/ R\u00e9trospective d\u2019Andre\u00ef Tarkovski - stadtsprachen","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"y0w2gyVyHZ\"><a href=\"https:\/\/stadtsprachen.de\/en\/text\/cinema-de-lhotel-retrospective-dandrei-tarkovski\/\">Cin\u00e9ma de l\u2019H\u00f4tel \/\/ R\u00e9trospective d\u2019Andre\u00ef Tarkovski<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/stadtsprachen.de\/en\/text\/cinema-de-lhotel-retrospective-dandrei-tarkovski\/embed\/#?secret=y0w2gyVyHZ\" width=\"600\" height=\"338\" title=\"&#8220;Cin\u00e9ma de l\u2019H\u00f4tel \/\/ R\u00e9trospective d\u2019Andre\u00ef Tarkovski&#8221; &#8212; stadtsprachen\" data-secret=\"y0w2gyVyHZ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/stadtsprachen.de\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2022\/03\/1-1.jpg","thumbnail_width":879,"thumbnail_height":580,"description":"Nous nous rencontrons dans l\u2019embrasure de la porte entre les stalactites et la mousse noire. \u00c9changeons des premiers mots humides sous trame d\u2019Eduard Artemyev. Mentionnons la Zone dans les escaliers en jetant une pierre pour diriger nos pas. Marchons dans la canalisation de l\u2019h\u00f4tel sous l\u2019\u00e9gouttement continu de l\u2019eau verd\u00e2tre. Parlons des dunes dans l\u2019ascenseur [&hellip;]"}