{"id":20687,"date":"2023-12-04T17:00:00","date_gmt":"2023-12-04T16:00:00","guid":{"rendered":"https:\/\/stadtsprachen.de\/en\/?post_type=stsp_text&#038;p=20687"},"modified":"2023-12-03T17:25:59","modified_gmt":"2023-12-03T16:25:59","slug":"studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic","status":"publish","type":"stsp_text","link":"https:\/\/stadtsprachen.de\/en\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/","title":{"rendered":"Studio Visit &#8220;\u00dcber den Anfang &#8211; eine Lackarbeit zum Roten Fluss&#8221; with Veronika Radulovic"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>On Wednesday, 10 October 2023, as part of the Berlin Asia Arts festival, organized by Berlin Asia Arts Club, a studio visit with Veronika Radulovic took place in Berlin. In conversation with L\u01b0u B\u00edch Ng\u1ecdc, Veronika Radulovic shared her experiences of studying lacquer painting during her time in Hanoi. This brief report of the event was authored by L\u01b0u B\u00edch Ng\u1ecdc, a cultural worker presently based in both Berlin and Hanoi.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Veronika Radulovic first came to Hanoi in the early 1990s to study Vietnamese lacquer art. She was the first German lecturer at the Hanoi University of Fine Arts (<em>\u00c9cole des Beaux Arts d&#8217;Indochine<\/em>) from 1994 to 2005. In 1993, she created the &#8220;\u00dcber den Anfang&#8221; series, inspired by the real Red River (<em>s\u00f4ng H\u1ed3ng<\/em>) in Hanoi, including 24 lacquer paintings measuring 24 x 35 cm each. Facing the language barrier of not knowing Vietnamese language, Veronika was instructed by a deaf and dumb girl to learn lacquer, making the experience unforgettable for her.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The history of Vietnamese lacquer, known as <em>s\u01a1n m\u00e0i<\/em> (or <em>s\u01a1n ta<\/em>) and derived from a native tree resin in Phu Tho, was recounted. Outside of Vietnam, lacquer also exists in other countries, such as Japan, China, or Myanmar. Traditionally, Vietnamese people used lacquer primarily as a craft to protect wooden objects from the tropical climate due to its waterproofing quality and for aesthetic appeal. From the beginning of 1920s, with the French colonial period in Vietnam, a transformation of the lacquer medium took place at L&#8217;Ecole des Beaux-Arts de l&#8217;Indochine. Vietnamese students were encouraged to explore lacquer as panel painting and a fine art medium.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When Veronika created the series, she followed the same principles: painting on black-primed wooden panels using natural color pigments, ground eggshells and silver leaves. These panels were then coated layer by layer with lacquer, each layer subsequently sanded and polished. Each layer needs high humidity to dry, either from the weather or it must be placed in a humid room to dry. The sanding process emphasizes the layered character of the lacquer. By sanding out the underlying layers, a seemingly endless number of different effects could be achieved.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This process was undeniably time-consuming; a lacquer painting could take several months or even years to complete. For Veronika, this aspect resonated with her observations during her time in Hanoi: the colors kept changing, reflecting what she considered to be distinctly &#8216;Vietnamese&#8217;\u2014the adaptability of the people and their mindset. Also, she frequently found herself waiting in uncertainty for permission to exhibit \u2013 a common situation when dealing with the government and the censorship; especially because she was planning a collaborative exhibition with Vietnamese lacquer artists, which was a novelty at that time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Veronika revealed an interesting anecdote: during a visit by representatives from the Ministry of Culture prior to her series&#8217; exhibition, they asked her several questions, particularly focusing on the intent behind the two accompanying sentences: &#8220;If you could speak, who would you speak to?&#8221; and &#8220;If you could walk on water, where would you go?&#8221;. These questions, for Veronika, rendered her situation at that time &#8211; a period when contacts between local citizens and foreigners were always under scrutiny, plus the strict laws regarding inspections and applying for permission in the art scene. Fortunately, they allowed her to proceed with the exhibition after she presented an alternative interpretation of the series and the questions\u2014offering a familiar Catholic story of Jesus Christ walking on water. This detail fascinated everyone who attended the studio visit event. River and water hold diverse meanings for Veronika, especially as she discovered the many meanings of the word \u201cn\u01b0\u1edbc\u201d (<em>water<\/em>) in Vietnamese language. \u201cN\u01b0\u1edbc\u201d means water, but also signifies land\/ country (<em>\u0111\u1ea5t n\u01b0\u1edbc<\/em>), patriotic (<em>y\u00eau n\u01b0\u1edbc<\/em>), among many others. Water not only shapes the landscape of Vietnam, it also embodies the symbolic richness of the country\u2019 myths and legends. According to Dr. Niko Ewers, Veronika Radulovic&#8217;s series reflects a Vietnam-in-motion after the <em>Doi Moi<\/em> (Renovation Policy) and Vietnam&#8217;s opening to the global world. Later on, in 2004, Veronika conducted a curatorial project titled \u201cGiving Water an Image\u201d (<em>T\u1ea1o h\u00ecnh cho n\u01b0\u1edbc<\/em>) with artists and art students from the Hanoi University of Fine Arts, further thinking on this word \u201cn\u01b0\u1edbc\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A topic that we unfortunately did not have enough time to discuss is cultural appropriation. As a German artist and art-mediator, even though this series paid homage to lacquer painting, a distinctly Vietnamese art form, it has a different visual language that allows the motifs to \u201cappear in a different light, a different horizon\u201d. Traditionally, Vietnamese lacquer paintings are accompanied by romanticized depictions of local landscapes, pagodas, and village culture etc., symbolizing a love for the homeland and a vision of national identity. Veronika&#8217;s perspective, as an outsider, differed in approach: she ventured into lacquer in a more experimental manner, particularly embracing conceptual elements like combining words in the series.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In our conversation before the studio visit, we also mentioned different lacquer artists. We pondered why there seems to be limited interest among young artists in Vietnam in using this material, or why there are just a few contemporary lacquer artists. Reflecting on the \u201c\u00dcber den Anfang\u201d series, we saw it not merely as an outcome of the artistic process, but also a crystallization of the period Veronika lived in Vietnam. Lacquer painting still embodies Vietnamese national identity, even after 30 years (1993-2023), in a quite exclusive, conservative, and politically-corrected manner.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">However, there are artists like C\u00f4ng Kim Hoa, known for abstract and semi-abstract lacquer pieces; Khai Doan, a German \u2013 Vietnamese artist, whose paintings combine tradition with the fast-paced world of advertising; and Phi Phi Oanh, also a Viet-diasporic artist, advocating for a reconsideration of lacquer in a digital world, beyond its traditional status as a Vietnamese art form. We hope for a young generation of artists to renew lacquer, both in terms of theme and technique \u2013 while bearing in mind its high cost and its history of exclusivity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Birgit Hussfeld: K\u00fcchenschabenfl\u00fcgelbraun &#8211; vietnamesische Lackkunst. In: Lack Erde Steine. Museum f\u00fcr Lackkunst (Hg), M\u00fcnster 1986<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><sup>\u00a0<\/sup>Dr. Niko Ewers: \u00dcber den Anfang ohne ein Ende. In: Veronika Radulovic. \u201czwischen den Wassern\u201d Lackarbeiten. Hanoi\/Vietnam 1993-1997, Museum f\u00fcr Lackkunst (Hg), M\u00fcnster 1998<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"521\" height=\"753\" data-id=\"20768\" src=\"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/12\/cover-son-mai.bmp\" alt=\"\" class=\"wp-image-20768\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"812\" height=\"566\" data-id=\"20769\" src=\"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/12\/Lack.bmp\" alt=\"\" class=\"wp-image-20769\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1444\" height=\"2067\" data-id=\"20770\" src=\"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/12\/Museum-fuer-Lackkunst-Muenster.-Veronika-Radulovic.bmp\" alt=\"\" class=\"wp-image-20770\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"787\" height=\"519\" data-id=\"20771\" src=\"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/12\/Roter-Fluss-und-ich.bmp\" alt=\"\" class=\"wp-image-20771\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"677\" height=\"450\" data-id=\"20772\" src=\"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/12\/Veronika-Radulovic-arbeitet-an-Red-River-1993.bmp\" alt=\"\" class=\"wp-image-20772\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"450\" data-id=\"20773\" src=\"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/12\/Veronika-Radulovic-.-Red-River.-1993-Museum-Wesel-2023.jpg\" alt=\"\" class=\"wp-image-20773\" srcset=\"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/12\/Veronika-Radulovic-.-Red-River.-1993-Museum-Wesel-2023.jpg 600w, https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/12\/Veronika-Radulovic-.-Red-River.-1993-Museum-Wesel-2023-500x375.jpg 500w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"450\" data-id=\"20774\" src=\"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/12\/Veronika-Radulovic-.-Red-River.-Detail.jpg\" alt=\"\" class=\"wp-image-20774\" srcset=\"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/12\/Veronika-Radulovic-.-Red-River.-Detail.jpg 600w, https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/12\/Veronika-Radulovic-.-Red-River.-Detail-500x375.jpg 500w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>On Wednesday, 10 October 2023, as part of the Berlin Asia Arts festival, organized by Berlin Asia Arts Club, a studio visit with Veronika Radulovic took place in Berlin. In conversation with L\u01b0u B\u00edch Ng\u1ecdc, Veronika Radulovic shared her experiences of studying lacquer painting during her time in Hanoi. This brief report of the event [&hellip;]<\/p>\n","protected":false},"featured_media":20470,"template":"","categories":[56,12],"class_list":["post-20687","stsp_text","type-stsp_text","status-publish","has-post-thumbnail","hentry","category-issue-26-issues","category-non-fiction"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Studio Visit &quot;\u00dcber den Anfang - eine Lackarbeit zum Roten Fluss&quot; with Veronika Radulovic - stadtsprachen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/stadtsprachen.de\/de\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:locale:alternate\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Studio Visit &quot;\u00dcber den Anfang - eine Lackarbeit zum Roten Fluss&quot; with Veronika Radulovic - stadtsprachen\" \/>\n<meta property=\"og:description\" content=\"On Wednesday, 10 October 2023, as part of the Berlin Asia Arts festival, organized by Berlin Asia Arts Club, a studio visit with Veronika Radulovic took place in Berlin. In conversation with L\u01b0u B\u00edch Ng\u1ecdc, Veronika Radulovic shared her experiences of studying lacquer painting during her time in Hanoi. This brief report of the event [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/stadtsprachen.de\/en\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/\" \/>\n<meta property=\"og:site_name\" content=\"stadtsprachen\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Stadtsprachen\" \/>\n<meta property=\"og:image\" content=\"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/10\/ssm_13-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@stadtsprachen\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/text\\\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\\\/\",\"url\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/text\\\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\\\/\",\"name\":\"Studio Visit \\\"\u00dcber den Anfang - eine Lackarbeit zum Roten Fluss\\\" with Veronika Radulovic - stadtsprachen\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/text\\\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/text\\\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/stadtsprachen.de\\\/wp-content\\\/uploads\\\/2023\\\/10\\\/ssm_13-scaled.jpg\",\"datePublished\":\"2023-12-04T16:00:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/text\\\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/text\\\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/text\\\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\\\/#primaryimage\",\"url\":\"https:\\\/\\\/stadtsprachen.de\\\/wp-content\\\/uploads\\\/2023\\\/10\\\/ssm_13-scaled.jpg\",\"contentUrl\":\"https:\\\/\\\/stadtsprachen.de\\\/wp-content\\\/uploads\\\/2023\\\/10\\\/ssm_13-scaled.jpg\",\"width\":2560,\"height\":1920},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/text\\\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Texts\",\"item\":\"https:\\\/\\\/stadtsprachen.de\\\/en\\\/text\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Studio Visit &#8220;\u00dcber den Anfang &#8211; eine Lackarbeit zum Roten Fluss&#8221; with Veronika Radulovic\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/#website\",\"url\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/\",\"name\":\"stadtsprachen\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/#organization\",\"name\":\"stadtsprachen\",\"url\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/stadtsprachen.de\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/cropped-logo_stadtsprachen_taubenblau.png\",\"contentUrl\":\"https:\\\/\\\/stadtsprachen.de\\\/wp-content\\\/uploads\\\/2021\\\/02\\\/cropped-logo_stadtsprachen_taubenblau.png\",\"width\":512,\"height\":512,\"caption\":\"stadtsprachen\"},\"image\":{\"@id\":\"https:\\\/\\\/stadtsprachen.de\\\/de\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/Stadtsprachen\",\"https:\\\/\\\/x.com\\\/stadtsprachen\",\"https:\\\/\\\/www.instagram.com\\\/berlinerliterarischeaktion\\\/\",\"https:\\\/\\\/mastodon.social\\\/@BerlinerLiterarischeAktion\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Studio Visit \"\u00dcber den Anfang - eine Lackarbeit zum Roten Fluss\" with Veronika Radulovic - stadtsprachen","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/stadtsprachen.de\/de\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/","og_locale":"en_US","og_type":"article","og_title":"Studio Visit \"\u00dcber den Anfang - eine Lackarbeit zum Roten Fluss\" with Veronika Radulovic - stadtsprachen","og_description":"On Wednesday, 10 October 2023, as part of the Berlin Asia Arts festival, organized by Berlin Asia Arts Club, a studio visit with Veronika Radulovic took place in Berlin. In conversation with L\u01b0u B\u00edch Ng\u1ecdc, Veronika Radulovic shared her experiences of studying lacquer painting during her time in Hanoi. This brief report of the event [&hellip;]","og_url":"https:\/\/stadtsprachen.de\/en\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/","og_site_name":"stadtsprachen","article_publisher":"https:\/\/www.facebook.com\/Stadtsprachen","og_image":[{"width":2560,"height":1920,"url":"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/10\/ssm_13-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@stadtsprachen","twitter_misc":{"Est. reading time":"8 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/stadtsprachen.de\/de\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/","url":"https:\/\/stadtsprachen.de\/de\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/","name":"Studio Visit \"\u00dcber den Anfang - eine Lackarbeit zum Roten Fluss\" with Veronika Radulovic - stadtsprachen","isPartOf":{"@id":"https:\/\/stadtsprachen.de\/de\/#website"},"primaryImageOfPage":{"@id":"https:\/\/stadtsprachen.de\/de\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/#primaryimage"},"image":{"@id":"https:\/\/stadtsprachen.de\/de\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/#primaryimage"},"thumbnailUrl":"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/10\/ssm_13-scaled.jpg","datePublished":"2023-12-04T16:00:00+00:00","breadcrumb":{"@id":"https:\/\/stadtsprachen.de\/de\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/stadtsprachen.de\/de\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/stadtsprachen.de\/de\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/#primaryimage","url":"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/10\/ssm_13-scaled.jpg","contentUrl":"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2023\/10\/ssm_13-scaled.jpg","width":2560,"height":1920},{"@type":"BreadcrumbList","@id":"https:\/\/stadtsprachen.de\/de\/text\/studio-visit-lackarbeit-zum-roten-fluss-with-veronika-radulovic\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/stadtsprachen.de\/de\/"},{"@type":"ListItem","position":2,"name":"Texts","item":"https:\/\/stadtsprachen.de\/en\/text\/"},{"@type":"ListItem","position":3,"name":"Studio Visit &#8220;\u00dcber den Anfang &#8211; eine Lackarbeit zum Roten Fluss&#8221; with Veronika Radulovic"}]},{"@type":"WebSite","@id":"https:\/\/stadtsprachen.de\/de\/#website","url":"https:\/\/stadtsprachen.de\/de\/","name":"stadtsprachen","description":"","publisher":{"@id":"https:\/\/stadtsprachen.de\/de\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/stadtsprachen.de\/de\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/stadtsprachen.de\/de\/#organization","name":"stadtsprachen","url":"https:\/\/stadtsprachen.de\/de\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/stadtsprachen.de\/de\/#\/schema\/logo\/image\/","url":"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2021\/02\/cropped-logo_stadtsprachen_taubenblau.png","contentUrl":"https:\/\/stadtsprachen.de\/wp-content\/uploads\/2021\/02\/cropped-logo_stadtsprachen_taubenblau.png","width":512,"height":512,"caption":"stadtsprachen"},"image":{"@id":"https:\/\/stadtsprachen.de\/de\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Stadtsprachen","https:\/\/x.com\/stadtsprachen","https:\/\/www.instagram.com\/berlinerliterarischeaktion\/","https:\/\/mastodon.social\/@BerlinerLiterarischeAktion"]}]}},"_links":{"self":[{"href":"https:\/\/stadtsprachen.de\/en\/wp-json\/wp\/v2\/stsp_text\/20687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stadtsprachen.de\/en\/wp-json\/wp\/v2\/stsp_text"}],"about":[{"href":"https:\/\/stadtsprachen.de\/en\/wp-json\/wp\/v2\/types\/stsp_text"}],"version-history":[{"count":2,"href":"https:\/\/stadtsprachen.de\/en\/wp-json\/wp\/v2\/stsp_text\/20687\/revisions"}],"predecessor-version":[{"id":20775,"href":"https:\/\/stadtsprachen.de\/en\/wp-json\/wp\/v2\/stsp_text\/20687\/revisions\/20775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stadtsprachen.de\/en\/wp-json\/wp\/v2\/media\/20470"}],"wp:attachment":[{"href":"https:\/\/stadtsprachen.de\/en\/wp-json\/wp\/v2\/media?parent=20687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stadtsprachen.de\/en\/wp-json\/wp\/v2\/categories?post=20687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}