{"id":24836,"date":"2025-11-12T14:20:00","date_gmt":"2025-11-12T13:20:00","guid":{"rendered":"https:\/\/stadtsprachen.de\/de\/?post_type=stsp_text&p=24836"},"modified":"2025-11-27T12:39:38","modified_gmt":"2025-11-27T11:39:38","slug":"inferno-2-go","status":"publish","type":"stsp_text","link":"https:\/\/stadtsprachen.de\/en\/text\/inferno-2-go\/","title":{"rendered":"Inferno 2 go"},"content":{"rendered":"\n

Instead of the encounter of two persons along one shared edge, or a play of reflection and opposition of two not quite mirroring halves, we are dealing in multitudes
<\/em>
Rosemarie Waldrop – Coupling

<\/p>\n\n\n\n

\n
\n

***<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

Ahornbaum | Post Therapy Park<\/h2>\n\n\n\n

I choose an anchor tree. A murder of crows in it and around.
The Great Lover as an effigy in stone.
Opposite to my altar. Under which beings
approach me who do not fathom me
& I have difficulties to decipher their behaviours.
But we touch. We connect.
This is my junction.<\/p>\n\n\n\n

<\/p>\n\n\n\n

| ( I was out of place and time<\/a> ) <\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\n

***<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

Lesung | Soliloquy<\/h2>\n\n\n\n

No wonder
you read less & less
poetry & prose
that isn’t telling you
how things are
as the general impatience
is building up
as the stress levels rise

you don’t need a better understanding
nor a refined comprehension

your basic reading skills expand
when you fundamentally accept
that you occasionally read something
into things that doesn’t
show up in them
at all<\/p>\n\n\n\n

<\/p>\n\n\n\n

| ( it\u2019s true it might take a while<\/a> )<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\n

***<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

Warschauer Stra\u00dfe | Interpretation<\/h2>\n\n\n\n


It was on my way home
walking a street named
after a place East
which has been displaced
after THE war
after the last big seizure

I was just putting a coin
on top of coins
someone build in front of him
staring into the sidewalk
after looking into his upright smile
that we exchange after this
regular exchange

I realized
(almost) anything can function
as text

some of it is meta
some of it is a continuum of signs
some of it shines a light

I continued
contemplating our mis
communication earlier

none of us
able to state the obvious
that there is no examination procedure
for keeping the other opened up
for the refusal of an interpretation
reading \/ writing
for trust<\/p>\n\n\n\n

<\/p>\n\n\n\n

| ( how can anybody have you and lose you?<\/a> )<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\n

***<\/p>\n<\/div>\n<\/div>\n\n\n\n

Gl\u00fchw\u00fcrmchen | Lake Unknown<\/a><\/h2>\n\n\n\n

At a fire lake
which name doesn’t capture
what it offers and encompasses.

After a long walk into the dusk.
You immediately disappear into the water
and reach its center, you become a point in the waves.

You become the body of the lake itself.
The moon bugs buzz,
the mosquitoes buzz,
the partridges declare their radius in the reeds.

Above us, approach and take-off,
the whine of turbines.
Somewhere vague originating chatter,
otherwise a silence that is intoxicating, an excitement
at the ends of the sense of touch.

Reach in, to where everything detaches itself from you,
where there is no longer a body,
where there is no longer any dependence on light.

For a moment, as if inverted, in a climax.
Flipped into another state of being.

*

An einem See, dessen Name nicht greift oder andeutet, was er anbietet und umfasst. Nach einem
l\u00e4ngeren Weg hinein in den D\u00e4mmerungsbereich. Du verschwindest umgehend im Wasser und
gelangst bis in seine Mitte, du wirst zu einem Punkt in den leichten Wellenbewegungen. Du
wirst der Seek\u00f6rper selbst oder verbindest dich mit ihm. Es brummen die Monatsk\u00e4fer, es
surren die M\u00fccken, es deklarieren die Rebh\u00fchner im Schilf ihren Radius. \u00dcber uns Anflug und
Abflug, Turbinengeheul. Von irgendwoher Gerede, sonst eine Stille, an der sich berauschen
lie\u00dfe, eine Erregung an den Enden des Tastsinns. Sich hinein atmen, dorthin, wo sich das alles
abl\u00f6st von einem, wo kein K\u00f6rper mehr stattfindet, wo keine Abh\u00e4ngigkeit vom Licht mehr
besteht. F\u00fcr einen Moment wie invertiert, im H\u00f6hepunkt. Geflippt hinein in ein anderes Sein.



| ( You\u2019re leaving not a trace in the world<\/a> )<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\n

***<\/p>\n<\/div>\n<\/div>\n\n\n\n

Bernsteinsand | The taste of the ampersand
<\/a><\/h2>\n\n\n\n

I\u2019m bi
lingual, quattropolar, seasonal
don\u2019t tell me i haven\u2019t figured out
a side yet i accept every kind of persistence
it\u2018s actions and behaviours i can\u2019t
get over it\u2019s the unimprisoned
predators i am afraid of
tamed by bonuses & full-service servants
deciding how far the axis will be shifted
or how to navigate a mass
or how to modify an ocean in cycles
leashing those who speak in sand
pushing the refinement of control
into the nano-sector of resistance
selling you another activism lifestyle
another brand with critical features
so you have a better grip
at the frontline of society
games<\/p>\n\n\n\n

I\u2019m pan
vicious, poor by heart, channeling
don\u2019t tell me how to feel or what
i should re:position
storing memories in clouds
and be found by advices & offers
in a customized stream
where can i unsubscribe a system
feeding into feeding you
providing a feed that lets you confuse
signs and signals
letting you observe the outbreak of emotions
that need to be numbed within you or partially evoked
on your comforting devices & delays in stimulus-response
how long until providing residues
is obligatory how long until the blast inverts
the narrative<\/p>\n\n\n\n

I\u2019m split
screened, lemur-headed, light
don\u2019t tell me when to speak up
or what to believe in
in the presence of a successor
to a long line of divine representatives
i don\u2019t need a private audience
or another exhibition of projections
let\u2019s no longer trade
how we make each other fail
but lift and explore and share
where we differ let\u2019s celebrate
and sum up the ages and what we\u2019ve achieved
let\u2019s surrender and gently surround those
who play along with the decline of the egosystem
time\u2019s up, feudal machinery
we no longer need to rise from the ashes
but the code that will
allow yourself to be free<\/p>\n\n\n\n

<\/p>\n\n\n\n

| ( all my broken pieces<\/a> )<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\n

***<\/p>\n<\/div>\n<\/div>\n\n\n\n

Notation 24 \/ 03 \/ 04 | on interwoven minds
<\/a><\/h2>\n\n\n\n



Jetzt lassen sich die Tage abz\u00e4hlen, bis eine Nachricht von dir eintrifft. Irritated about a
landmark in the distance while passing a bridge leading to the river. It looks like its fundament
changed its angle. Imagining the whole building rotated. Rotating landmarks in general. Die
Ansprache des geliebten Gegen\u00fcbers verl\u00e4ngern hin zu den Menschen, die die wichtigsten
Bez\u00fcge f\u00fcr mich sind. Das Du beibehalten und nicht l\u00e4nger nur Dich meinen. \u00dcberhaupt
Unterscheidungen unterlassen lernen. The differences we molded into the indifference of our
self-perception as exceptional. As if no one else could speak in our name, nor could imagine our
visions. Gestern nochmal daran gedacht, wie du dich um eine Geste bestohlen glaubtest und
ganz generell, wie du auch mir den Gedanken eingeben wolltest, andere k\u00f6nnten mich um meine
Ideen oder S\u00e4tze berauben. Der Grund, weshalb ich meine Bilder und Arbeiten selten
unterschreibe: ist das Jeweilige nicht erkennbar, als von dir stammend, dann hat es auch selten
Bestand. Something to observe in nature: no other animal is making such a fuss about personal
achievements. As if one isn\u2019t benefiting from the build-up by others. Although lately I’ve been
thinking about what makes a work of art masterful?<\/p>\n\n\n\n

<\/p>\n\n\n\n

| ( We change like the weather<\/a> )<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\n

***<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/a><\/p>\n\n\n\n

Saw one
one evening
climbing into
the flaming sky
eight times their height
above ground
wiggling the branch
they were resting themself on
at the end of a permanent line
to the one
pouring gasoline
at the backdrop<\/p>\n\n\n\n

<\/p>\n\n\n\n

| ( Signs of life, the beginning<\/a> )<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Instead of the encounter of two persons along one shared edge, or a play of reflection and opposition of two not quite mirroring halves, we are dealing in multitudesRosemarie Waldrop – Coupling *** Ahornbaum | Post Therapy Park I choose an anchor tree. 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